Thanks to the continuous advancement of digital technology, everyone can record at home. Everyone can have a recording studio of their own. Building a professional studio requires a lot of time and money, but the result will definitely make you feel. Great value.
Now we will point out 11 very important links in the process of building a recording studio, from soundproofing materials to flooring, I hope everyone must hold it!
Site selection
The first thing to consider is where to build your studio. Site selection is important. You must make a full estimate of the size of your voice (especially the drums) so that you can decide how much soundproofing you need.
For example, if you plan to change the garage in the garden into a recording studio, besides placing soundproofing materials, be sure to leave enough space to minimize the flow of sound, but if you want to be in the room or in the apartment. Building a recording studio, only soundproofing materials are not enough.
2. Lighting
Illumination is a very important element for a good studio. If there is no light, then your studio feels like a prison. Many people think that blocking the window is an important measure to sound the room, but it is not. You use an acoustic glass (made up of two pieces of glass with a layer of adhesive in between) to make a closed window, and it's soundproof.
3. Door
Your studio must have at least one door. It is another important element of sound insulation, just like a window. The easiest way is to use a large weight door, increase the weight of the door or add a layer of Sheetblok. A special kind of material, specially used for noise barriers, can work well.
To ensure that each door is closed, the seal is very complete, which can be achieved by using a sealing strip.
4. Ventilation
When all the doors and windows are completely spliced, there is a problem, how do you breathe? This problem is often overlooked, but the circulation of air is very important for the studio, which is not only related to the recording environment of the musicians, but also related to the maintenance of the recording equipment, so the vents (one air inlet and one air vent) are required. ) to keep the air flowing.
5. Make a silencer cover (to introduce the medium density fiberboard)
When making the vents, there is bound to be a hole in your soundproofing material. This requires a muffler cover, an S-shaped channel made of MDF (medium density fiberboard), and a sound-absorbing foam to absorb those that are not. The necessary voice.
The last thing to note is that the air inlet holes should not face the sun, otherwise it will inhale unnecessary hot air in the summer.
6. Build a "house in the house" (this is a difficult point)
Most of the sound insulation is based on the principle of “room in the roomâ€. A room is separated from the original building. If space permits, consider a high-density concrete wall with neoprene (a synthetic rubber compound). ).
The outer wall and the inner wall form a sonic wall. If you have sound-treated the original roof, you can use mineral wool on the elastic channel between the beam and the two gypsum boards, and then in the new room. The same processing.
The interior walls can be reinforced with 2X2 planks, then neoprene and 2" thick mineral wool, which can be mounted on a flexible channel. Finally, the entire surface should be guaranteed to be completely sealed, and any small hole in the surface may cause cracks in the entire wall, which will damage the recording effect by at least 50%.
7. Do not take the dark line
Many people think that the power lines and lighting lines should go from the outside of the inner wall, but these cut plugs and sockets will damage your sound insulation, so we recommend that all surface wires can be connected through the conduit, or you can make these lights Establish a dedicated area with the power supply.
8. Use a suspended floor (another difficulty)
Essentially this is the same as our treatment of the wall. The two floors are arranged to prevent the vibration from being carried away. As for the suspended floor, it can be placed on the rubber U-Boat, the neoprene tape is placed in the middle, and finally the fiber is placed. The floor is fixed at the top.
There is also a simpler and more cost-effective way to separate the drum from the ground with a piece of foam, using a 3''X2'' high-density foam on the bottom and a piece of plywood on it. The drum set was made.
9. Adjust the room (sound absorption and reflection)
You may feel that the sound reflection in the room of the plasterboard is not satisfactory, whether it is recording, monitoring or mixing.
Then you can try to make the absorption board with 2''X4'' cardboard, cover it with the same size of mineral wool, and finally wrap the whole surface with a dust cover, which will be much better. If you still have some money to spend on the studio, try Aurelex, ProFoam or other similar products. The products of these companies can meet the needs of different studios, and the price is very reasonable. The most important thing is that you can get professional. Effect.
10. One room or two rooms?
If your studio can be as spacious as a band rehearsal room, then the next thing to consider is whether you want to separate two rooms, one for the studio and one for the control room. In many cases, everyone thinks there should be two studios. Room, but for some musicians a room is fully equipped to meet their needs.
Here we suggest that you can set up two computer screens, controlled by a wireless mouse and keyboard, which is very convenient.
11. Remember! Rome was not built in one day.
Building a studio of your own is time consuming and energy consuming. Its long process and high cost can make you feel frustrated, but once you finish it, you will be proud of your achievements.
You can freely enter and exit the studio without worrying about the rent, and you want to record what you want to record, and you won't bother others. You said that this value is not worth your effort?
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